![]() In a review for Rolling Stone, writer Matthew Perpetua described the vocals as having "a peculiar tonality that inadvertently highlights the absurdity of boilerplate pop lyrics", adding that the tone in the refrain "sounds unlike anything else in pop music". The song also sees Black on a harmony track. According to Randy Lewis of the Los Angeles Times, the familiar structure contributes to the song's catchiness, making it what others have called an earworm. It is performed in the key of B major at a tempo of 112 beats per minute. Problems playing this file? See media help.įriday uses the '50s progression, a I–vi–IV–V chord progression that many popular songs have used such as " Heart and Soul" and " Unchained Melody". Although Kelly had some doubts over the quality of the lyrics, Black assured her that "she sang it as they wrote it." Composition ARK Music extensively used the pitch-correcting software Auto-Tune. "I felt like it was my personality in that song". Black chose "Friday", as "Super Woman" "was about adult love–I haven't experienced that yet". According to Kelly, the payment covered one half or less of the production costs of the music video, and Black's family could have paid nothing in exchange for giving up all rights to the song. Black's mother, Georgina Kelly, paid ARK Music $4,000 for a song and accompanying video that included a choice of two pre-written songs "Super Woman" and "Friday". I was writing different songs all night and was like, 'Wow, I've been up a long time and it's Friday.' And I was like, wow, it is Friday!" Īn ARK Music Factory client told Black's mother about the company's production services in late 2010 Black was 13 at the time, and living in the Anaheim Hills planned community in Anaheim, California. On February 10, 2021, to commemorate the song's tenth anniversary, Black released an official hyperpop remix produced by Dylan Brady of 100 gecs featuring 3OH!3, Big Freedia and Dorian Electra to more positive reviews.įriday co-writer Patrice Wilson, a co-founder of ARK Music Factory, explained that he "wrote the lyrics on a Thursday night going into a Friday. Forbes stated that the notoriety of the song is another sign of the power of social media-specifically Twitter, Facebook, and Tumblr, in this instance-in the ability to create "overnight sensations". ![]() Since the growth in popularity of the song and video, there have been numerous parody videos and remixes. The music video for the song is one of the most disliked YouTube videos of all time. The video was later re-uploaded to YouTube on September 16, 2011. By then, it had already amassed more than 167 million views. The original music video was removed from YouTube on June 16, 2011, due to legal disputes between ARK Music and Black. The song's reception was highly negative, and it was parodied by numerous artists and comedians. Nelson called it "the worst video ever made" on Twitter and the song was featured on the Tosh.0 blog. Its music video caught a sudden surge of hits after Mystery Science Theater 3000 and RiffTrax comedian Michael J. The song features a rap verse from Wilson, which was uncredited on the single. Black's debut single, the song was released as a music video single on Februit was officially premiered as a single on iTunes on March 14, 2011. ![]() It was also the way he looked and the way it made you feel." Friday" is a song performed by American pop singer Rebecca Black, written and produced by Los Angeles record producers Clarence Jey and Patrice Wilson. There’s something about that glove from Michael Jackson, those glittery socks. “No, it still matters to spend that time on your wardrobe and make sure there’s excitement to seeing you on stage. “When you think of the ’60s and ’70s-the Commodores, Earth, Wind & Fire, and those bright-ass fucking outfits-people look at that and frown their nose up, like, ‘That was then,’” Usher says. Night after night, audiences saw Usher skate through-as in, literally dancing in roller skates-a catalog of vintage slow jams, EDM hits, and confessional R&B wearing costumes mostly designed by Balmain creative director Olivier Rousteing, including a galactic sapphire number and a pink flare-leg suit seemingly blessed by the spirit of James Brown. The 43-year-old started out as a teen heartthrob dancing in chrome ensembles, so the Vegas glitz came naturally. “I was very adamant about being as bold as possible.” ![]() “I wanted to try things I’d never done because Vegas is a place where people come to see whimsical shows like Cirque du Soleil,” he says. When Usher started pulling wardrobe references for his 20-date Las Vegas residency at Caesars Palace last year, his mood board was a mix of sequins, vibrant shades, and Whitney Houston in “Queen of the Night.” Basically, anything that glittered was up for grabs.
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